《德拉克的回歸》是由知名导演愛德華·格萊納 执导的一部劇情片，拉多萬·盧卡夫斯基 古斯塔夫·瓦拉赫 艾米麗娅·瓦 等倾情出演，该片讲述了： 與Stefan Uher和Elo Hava tta一樣 ，Eduard Grecner也是60年代斯洛伐克新浪潮電影的締造者之一。他的三部影片《一 周七天》（1964）《尼絨月亮》（1965）和這部 《徳拉克的回 歸》都是斯洛伐克新浪潮電影的代表作。這部敘事方法獨特帶有明顯意識流風格的黑白影片甚至間接影響到了後來法國導演格裏耶在捷克拍攝的兩部影 片《說謊的人》和《Eden and After》。 A special plac e in the development of feature fi lms is reserv ed for Eduard Grecner, the creator of just one good film, Dragon Returns (Dra k sa vracia, 1967), titled aft er the ni ckname of the lead character. After his in itial work with Uher, Grecn er made h is mark as a pro ponent of the so-called "intel lectual" film, the anti thesis of the sociologically, or rather, soc ially critical f ilm. Gr ecner9;s great role mo del was A lan Resnais, a young French filmmaker who sought to introdu ce Slova kia to th e idea of film as a labyrinth in which meaning s are created no t by stories, but by co mplex con figura tions of dialogue, s hots, and vario us layers of time, thus differ entiating film from b oth l iterature and theater. I n Drago n Returns―the story of a solit ary hero wh o is need ed by villagers living far in the mountai ns, but who is reje cted by th em at the same t ime bec ause of his detachment―Gre cner brought the tra dition of lyricized prose to life through a who le series o f formal aesthet ic tec hniques. Alain Robbe-Grill et imm ediately d eveloped this idea i n the f ilm shot in Bratislava The Man Who Lies (Slovak: Muz, k tory luze; French title : L9;homme qui ment ; 1968), and perf ected it in Eden and After (Eden a potom , 1970). 安画轻叹了 一口气，“她在我的面前，从来没有放开过，哪怕喝水，也小心翼翼地只沾个唇。她和夏正明确关系以来，表面上，纯阳宗是得了丹堂 的一些照应，但是，以她和夏正的关系，如果有 心，元一百灵丹与骷髅蝗的真正关系，我觉得，完全可以弄来。
